Why Canadian Rajah is a Must-Watch Theatre Production (A Review)

On 7th October, I had the privilege of attending a rehearsal for Masakini Theatre Production’s Canadian Rajah. One thing became immediately clear—this is a must-see production.

This isn’t a suggestion—it’s a must. You have to attend Canadian Rajah, a production by Masakini Theatre Company, running from 24th to 27th October 2024 at the Damansara Performing Arts Centre. The play is directed by Sabera Shaik with a script from Dave Carley.

What’s the story? It follows Esca Brooke, the first son of Rajah Charles Brooke of Sarawak. After his father married a wealthy Englishwoman, Ranee Margaret, Esca was sent to England and raised in poverty. He later moved to Canada, became a scholar, and integrated into society there. Yet, despite his accomplishments, Esca lived in sorrow, yearning for recognition of his royal heritage, only to be forgotten by history.

Sarah Shahrum as Ranee Margaret and Malik Taufiq as the adult Esca

Yes, it’s a tragic tale—but a powerful one that speaks to the universal human experience. Even if you don’t know who Esca Brooke is, this play gives us a chance to learn about his forgotten legacy, no deep-dive into history books required. Masakini Theatre has done the heavy lifting for us, bringing Dave Carley's script to life in a way that is sure to engage, provoke thought, and inspire reflection.

Furthermore, for me, the story of any individual is part of the larger story of humanity. It becomes a thread in the tapestry of our shared history, making it significant to all of us. 

Why is Canadian Rajah so compelling? It appeals to a wide audience.

First, history buffs will appreciate this look at a lesser-known figure in Sarawak's Brooke legacy. The play paints a new and fascinating picture of colonial history. 

Second, theater students and practitioners should take note. This production is an excellent example of how to do English-language theater in Malaysia—a sector that remains fragmented between Malay and English theater. Watching Canadian Rajah is a great opportunity for those who are less familiar with English productions to see how it's done, especially by a local company like Masakini Theatre.

Normah Nordin, light designer of Canadian Rajah giving notes for Israr Khalid before the rehearsal.

During the rehearsal, I told Sabera Shaik, the director, that it seemed to me they were really pushing the boundaries. By that, I meant the production involves some of the finest talent in the performing arts scene. From the script by Canadian playwright Dave Carley, to Sabera Shaik's own direction, to the brilliant lighting design by Normah Nordin, visual and set design by Sivarajah Natarajan (an informant told me that the set, the wardrobe and all is customly built for this play) and stunning costumes by Melinda Looi (YES, the Melinda Looi)—each element contributes to a meticulously crafted piece.

Melinda Looi’s costume work deserves special mention. Seeing the actors rehearse in full costume, I was struck by the level of detail in the designs, especially for Ranee Margaret. Looi’s designs not only reflect the period but also add depth to each character's portrayal.

A funny moment for me during the rehearsal happened when, from a distance, I noticed that Ranee Margaret was wearing a selendang. I could tell immediately it was a real keringkam, with the distinctive gold thread woven through it—there's no mistaking the authenticity of a keringkam like that. But I held back my thoughts, doubting myself, thinking, "No way, they wouldn’t use a real keringkam, would they?" It wasn’t until after the rehearsal, when the Ranee approached the director, that I got a closer look. Sure enough, it was the real thing—gold thread and all. I couldn’t believe it! They’re really pushing the boundaries with this production. And just to set the context why I was so amazed, kindly read more on it in this article “Sulaman keringkam Sarawak semakin pupus”. 

Staging a period piece like Canadian Rajah isn’t easy. The play traverses two worlds—the colonial power and the local culture—yet the production team has paid careful attention to every detail, making it all come together seamlessly.

Esca kena hamun dengan Ranee. In that moment, I silently rooted for the Ranee, cheering in my mind, "Bagi lagi, bagi lagi!"

And finally, the cast. Sarah Shahrum as Ranee Margaret and Malik Taufiq as both Charles Brooke and the adult Esca were outstanding. Sarah embodies Ranee Margaret with an elegance and power that feels completely authentic. Malik’s portrayal of both Charles and Esca is equally convincing, with his transitions between characters being smooth and compelling. The way they switch roles, accents, and physicality is a masterclass in performance.

Supporting them are Israr Khalid as young Esca and Amalina Arham as Grace, Esca’s daughter. All four actors display impressive versatility, handling multiple roles and effortlessly switching between characters with changes in vocal tone, physical stance, and expression.

In short, this is a production that offers historical insight, artistic excellence, and powerful performances. You don’t want to miss Canadian Rajah.

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Details of the play

Canadian Rajah

24 - 27 October 2024

at Damansara Performing Arts Centre

written by Dave Carley

directed by Sabera Shaik

production of Masakini Theatre

Purchase the tix here: https://www.cloudjoi.com/shows/the-canadian-rajah